![]() Zixi felt grateful for the experience, and through this realised the potential of her work to truly create an impact in people’s lives. To her surprise, many people who attended the exhibition resonated with these thoughts and feelings, and approached her afterwards to share deeply personal stories – an experience that she would never have on a day to day basis, working mostly in solitude as an illustrator. These quotes sewn on the sculpture complemented her illustrations on the wall. The sculpture featured quotes sewn on in nude thread that were dark thoughts of self-doubt, or insults she had heard throughout her lifetime. Drawn to darker themes and stories, Zixi created an exhibition that delved into pensive and depressive moods. The exhibition marked her first foray into sculpting, where she created a 124 metre long cloth sculpture that filled the exhibition space and personified her 2D illustrations in 3-Dimensional form. Working with curator Shirley Surya, Zixi prepared an exhibition entitled Out of Hand, Out of Mind. Zixi’s subsequent works carry a similar theme of profound storytelling and messaging. While there is a rise in technology being incorporated into the design space, such as virtual reality technology and artificial intelligence, the core ethos of being a good designer remains the same. She even printed the work on pieces of fabric to be bound as the book, extending the metaphor to be the final product itself – a book that can be repurposed for other uses. For Zixi, this project – done during her days at Temasek Polytechnic – marked the start of using her illustrations to convey deep and poignant narratives. It was only upon reaching the end of her resources, and even using her own hair as thread, did she realise that careless use of materials led to this outcome. In her story, the child uses up all the cloth to make clothes without much concern for how fast her resources were depleting. Told from child’s point of view, Zixi used the metaphor of cutting cloth to make clothes as a parallel to how we use resources unthinkingly. Her first project, entitled Teri’s Most Beautifuls, is an illustrated book telling the story of waste. Zixi uses illustration as a tool to tell compelling and deep stories that touches hearts. She’s currently a freelance illustrator with multiple accomplished projects under her belt, and teaches illustration at the Nanyang Academy of Fine Arts. She then attained DesignSingapore Council’s (Dsg) 2006 design scholarship, and pursued her Bachelors in Graphic Design at Central Saint Martins in London, graduating with Honours. It was only while studying Visual Communications at Temasek Polytechnic did Zixi uncover her strength and passion for illustration. She spent her childhood following him to exhibitions and museums, and she initially dreamed of becoming an artist like him, but found that she preferred something that had slightly more structure. Zixi Tan was exposed to the creative world from a very young age her own father being an artist devoted to Chinese paintings and silk carvings. Tearrazzo: Zixi’s first collaboration with Muji, to create an exclusive hand-painted tea set inspired by old school Terrazzo tiles. ![]()
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